Apogee Symphony Desktop 10x14 USB-C Audio Interface
10-in/14-out USB-C Audio Interface with 24-bit/192kHz Symphony AD/DA, 2 Microphone Preamps, Variable Impedance, Built-in DSP, Preamp Emulation, Channel Strip Plug-in, DualPath Monitoring, Digital I/O, Touchscreen, and Apple Logic Pro X Integration - Mac/Win/iOS
Put the Sound of a Symphony on Your Desktop
Symphony Desktop for Mac, iPad pro and Windows packs the legendary sound quality of Apogee’s rack-mount Symphony I/O Mk II into an elegant and inspiring 10×14 audio interface that sits on your desk and fits in your bag. With Symphony Desktop, musicians and producers are empowered to record, overdub and mix with the music industry’s most respected AD/DA convertors and mic preamps.
By combining superior performance, with new features like mic preamp emulation, the Symphony ECS Channel Strip and Clearmountain’s Spaces reverb plugins, ultra low latency recording with hardware DSP and Apogee native FX plugins, Symphony Desktop will amplify your creativity in your studio or on the go and give your recordings the Apogee sound quality Advantage.
Cutting edge analog and digital components
selected by curious and critical ears
As a Symphony family product, Symphony Desktop benefits from Apogee’s core mission to design the finest performing audio interfaces using cutting edge analog and digital components, carefully selected by ear. While others cut costs and rely on conventional design approaches, we use innovative components and circuit optimization to consistently improve the performance of our products.
A/D CONVERSION - Faithfully Capture Every Nuance
Like Symphony I/O Mk II, Symphony Desktop’s analog-to-digital convertor stage features ultra-low distortion, high-slew rate, fully differential analog op-amps plus a cutting edge A/D convertor in a performance-enhancing dual-sum configuration. Create with the confidence that every nuance of your analog input is faithfully reproduced in the digital domain.
D/A CONVERSION - A Widescreen Window Into Your Mix
The digital-to-analog stage of Symphony Desktop features brand new technology that provides uncompromising Symphony DAC performance in a portable product, including a robust ultra-low distortion, high-current, fully balanced output driver. Regardless of downstream connections, Symphony Desktop delivers a transparent, widescreen window into the sonic landscape of your mix.
MIC PREAMPS - Superior Performance + Alloy Preamp Emulations
At the core of the input stage, are Symphony Desktop’s mic preamps offering up to 75dB of gain. The preamp design features Apogee’s unique Advanced Stepped Gain Architecture which ensures ultra-low noise and distortion regardless of the source, from pounding kick drum to delicate fingerpicking on an acoustic guitar. With variable impedance settings on both mic and instrument inputs, Symphony Desktop optimizes the input stage to better match your specific devices, for deep lows and clear highs. Selectable Apogee Alloy mic preamp emulations adds character, attitude and maybe a bit of grit to your recordings.
TWO HEADPHONE OUTPUTS - Equipped with Dual Sum ESS DACs
Symphony Desktop has two completely independent ultra low impedance headphone outputs, individually routable, both equipped with dual-sum ESS DACs. Output power range is tailored to the expected type of headphones: the front panel output can drive virtually any headphones, while the rear panel output is specifically tailored for high-efficiency headphones.
Apogee Alloy Mic Preamp emulation processing gives you the warmth and tone of coveted analog preamps
The Apogee Alloy Mic Preamp (AMP) emulation offers analog circuitry plus DSP processing to create the richest, most authentic audio modeling available in an audio interface. Critical aspects of the model such as input impedance, transient profile and distortion characteristics are first implemented in the analog domain, followed by precise and accurate refinement in DSP, for a hybrid result that’s greater than the sum of its parts.
British Solid State - Class A Console Sound
Inspired by the Marinar “Round can” input transformer and discrete transistor design of our Class A Neve 1066 mic preamp, this emulation gives you the sonic weight and smooth transient response of the hardware. Push the level for increased width and punch.
American Tube - Lush, 50s Tone
Symphony Desktop’s AX-601 mic preamp gives you the lush, larger-than-life sounds of a 50s era Ampex 601 preamp, carefully restored and modded for lower noise and greater dynamic range. We’ve captured the harmonic warmth, richness and high-end sheen of the hardware, plus the “gently overcooked” sound of the overloading circuit.
Hardware DSP and Native Plugin FX
Run Apogee’s premium plugins on Symphony Desktop and in your DAW,
No Hardware Required
Obsessively crafted by the same team that designs all Apogee hardware and software products, Apogee FX are premium plugins that run on the hardware DSP in Symphony Desktop or as native plugins on your computer. From visually modern interfaces that allow you to precisely shape and contour your sound to meticulously modeled vintage hardware so accurate it has been endorsed by the hardware manufacturer, Apogee plugins will quickly find their way into your daily recording tool kit.
Symphony Desktop Features
Most affordable Symphony series interface ever
Cutting edge components and circuit design deliver detailed and pristine flagship sound quality
2 Advanced Stepped Gain mic preamps, up to 75dB of gain, variable impedance
FET instrument input with electric guitar tube amp characteristics
Apogee Alloy Mic Preamp emulation (Analog processing + DSP modeling) Includes British Solid State & 50s American Tube
Built-in hardware DSP processing of Apogee FX Rack plugins
Includes Symphony ECS Channel Strip Tuned by Bob Clearmountain – Native and hardware DSP versions with EQ, Compression and Saturation
Includes Clearmountain's Spaces reverb plugin
Flexible, zero latency plugin workflows: Print, Monitor and DualPath Link workflows
Dynamic touch screen display for comprehensive hardware control
2 fully balanced 1/4″ outputs
2 assignable headphone outputs: 1 x 1/4″, 1 x 1/8”
10 IN x 14 OUT simultaneous channels of audio
MIDI over USB
Digital I/O: 2 x Optical Toslink (ADAT,S/PDIF)
USB 2.0 over USB Type C connector
Works with: macOS, Windows, iPad Pro
Compatibility
macOS: 10.13 High Sierra or later
iOS/iPad pro: iOS 13
PC: Windows 10 Anniversary update or later
Included Apogee FX Plugins
Symphony ECS Channel Strip – Native and hardware DSP versions
EQ | Compressor | Saturation
Clearmountain’s Spaces Reverb – Native plugin
Included Mic Preamp Emulations
British Solid State
50s American Tube
Specifications
Mic Preamps
Gain: Up to 75 dB and advanced stepped gain circuit design
Selectable 48v phantom power, Soft Limit and polarity invert
EIN: 129dB (un-weighted) @ 60dB, 150 Ohm input
Max input level: +20dBu
Input impedance: 150 – 4K Ohm (default)
Max Hi-Z input level: 14dBu
Hi-Z input impedance: 220k/470k/>20M Ohm
A/D Conversion
Max input level (+4dBu ref/Mic): +20dBu
Max input level (-10dBV ref): +6dBV
Input impedance: 4KOhm
Freq resp 10 Hz -20Khz: > +/-0.2dB (@44.1Khz)
Rel. THD + N: -113dB
Dyn. Range: 123dB (A-weighted)
D/A Conversion
Max output level (+4dBu ref): +20dBu
Max output level (-10dBV ref): +6dBV
Line output impedance: 50 Ohm
Freq resp 10Hz -20 Khz: > +/- 0.05dB (@44.1Khz)
Rel. THD+N : -114dB
Dyn Range: 129dB (A-weighted)
Headphone Max output level:
●520mW into 30 Ohm
●90mW into 600 Ohm
Headphone Rel THD+N: -111 dB with 600 Ohm load
Headphone Dyn Range: 128dB (A-weighted)
Headphone output impedance <0.5 Ohm
