Violet Audio dMIX 128 Professional Mixing Platform

Violet Audio dMIX 128 Professional Mixing Platform

OVERVIEW

The dMix 128 is a high performance digital audio matrix designed for professional installations where reliability, flexibility, and pristine sound quality are essential.

With 128 channels of powerful signal routing, DSP processing, and seamless control integration, the dMix 128 delivers uncompromising audio performance for studios, live venues, broadcast facilities, and corporate environments.

Developed with precision engineering and premium grade components, the dMix 128 ensures transparent audio reproduction and ultra low latency operation. Its intuitive software interface allows users to easily configure complex routing setups, apply advanced processing, and manage multiple zones with complete control.

Whether used as a standalone system or as part of a larger network, the dMix 128 offers exceptional scalability, making it the ideal choice for demanding audio professionals who require both power and precision.

Features:

Analog Inputs

      •     Input Impedance: 2.86 kOhms

      •     Gain range: -4 dB to 50 dB

      •     Max input level: 28 dBu (-4 dB gain)

      •     Dynamic range: 115 dB

                        (-60 dBFS, 20 dB gain, 1 kHz, A-weighted)

      •     THD: 0,001 % (-1 dBFS, 20 dB gain, 1 kHz, A-weighted)

      •     Equivalent input noise: -128 dBu

                        (50 dB gain, A-weighted, 150 ohms)

      •     Frequency response: +/- 0.1 dB

                        (20 Hz to 40 kHz at 96 kHz sampling rate)

      •     Phase Shift: <10° at 20 Khz

Analog Outputs

      •     Output impedance: 50 ohms

      •     Max output Level (0dBFS): 24 dBu

      •     Dynamic range: 115 dB (-60 dBFS, 1 kHz, A-weighted)

      •     THD: 0,002 % (-1 dBFS, 20 dB gain, 1 kHz, A-weighted)

      •     Frequency response: +/- 0.1 dB (20 to 40 kHz at 96 kHz)

      •     Phase shift: <5° at 20 Khz

Gate

      •     Threshold: -100dB to 0dB

      •     Attack: 0.5ms to 500ms

      •     Release: 10ms to 2000ms

      •     Hold: 0.5ms to 500ms

      •     Depth: -100dB to 0dB

      •     SC Filter: 20Hz to 20kHz

Compressor

      •     Threshold: -80dB 0dB

      •     Ratio: 1:1 – 20:1

      •     Attack: 1ms – 500ms

      •     Release: 10ms – 2000ms

      •     Makeup Gain: 0dB – +24dB

EQ Channel

      •     4 band parametric EQ (up to 8)

      •     4 bands can be converted to Dynamic

EQ

      •     Each Band Freq: 20Hz to 20kHz

      •     Q: .1 – 15

      •     Gain: -15dB to +15dB

HPF LPF

      •     HPF: 20Hz to 9.8kHz (selectable slopes)

      •     LPF: 40kHz to 20kHz (selectable slopes)

De-esser

      •     Threshold: -96dB to 0dB

      •     Range: 0 to -15dB

      •     Frequency: 20Hz to 20kHz

      •     Width: .1q to 15q

31 band EQ

      •     31 band GEQ, 20Hz – 20KHz +-15dB

Multi band compressor

      •     Sidechain: Yes

      •     Gain: 0dB to 24dB

      •     Threshold: -80dB to 0dB

      •     Range: -100dB to 0dB

      •     Ratio: 1:1 – 20:1

      •     Attack: .5ms – 500ms

      •     Release: 10ms – 2000ms

Saturation

      •     Range: 0 – 100

AES/EBU IN/OUT

      •     Standard: AES3 (2009)

      •     Sample rates: 48, 96 kHz

      •     Impedance: 110 ohms

Latency

      •     Analog input to Analog output latency: 0.3ms

      •     dMix to dMix dNet latency via AES67: 0.25ms

      •     dNet AES67 to Dante: 2ms latency